photo of Roshanak Kheshti

Research Bio

Roshanak Kheshti is a cultural theorist whose work broadly encompasses performance through race, gender, sexuality and the senses. Her books include We See with the Skin: On Zora Neale Hurston’s methodology (Duke, 2026), Switched-on Bach (33 1/3, 2019) and Modernity’s Ear: Listening to Race and Gender in World Music (NYU, 2015). She has additionally published widely on Iranian diaspora cultural production in sound and cinema.

Research Expertise and Interest

race, gender, queer theory, anthropology, sound studies, film, performance studies, diaspora, psychoanalysis

Teaching

Courses taught during the three most recent terms
2026 Spring
  • Methodologies in Performance Studies  [THEATER 202]  

  • Directed Research  [THEATER 294]  

  • Special Study  [THEATER 299]  

  • Individual Study for Doctoral Students  [THEATER 602]  

2025 Fall
  • Performance Theory  [THEATER 119]  

  • Performance and Culture  [THEATER 121]  

  • Directed Research  [THEATER 294]  

  • Individual Study for Doctoral Students  [THEATER 602]  

2025 Spring
  • Black Theatre Workshop  [AFRICAM C143C]  

  • Research Colloquium  [THEATER 200B]  

  • Directed Research  [THEATER 294]  

  • Special Study  [THEATER 299]  

  • Individual Study for Doctoral Students  [THEATER 602]  

  • Black Theatre Workshop  [THEATER C183C]