Research Bio

SanSan Kwan advocates for the meaning-making power of the expressive body. Through research, writing, teaching, choreographing, and performing, she explores how dance serves as a potent way of being in the world and a valuable lens through which to understand the world. She is interested in the mutually productive interrelationships among moving bodies, place, history, and identity. In particular, she lifts the embodied experiences of Asian America and offers expertise in cross cultural collaboration via corporeal practices.

SanSan is winner of the 2024 Dance Studies Association Mid-Career Award and a 2023 UC Berkeley College of Letters and Science Beatriz Manz Faculty Award. Her recent book, Love Dances: Loss and Mourning in Intercultural Collaboration (Oxford UP, 2021), won the 2022 de la Torre Bueno© Award and a 2023 Isadora Duncan Dance Award. She is also author of Kinesthetic City: Dance and Movement in Chinese Urban Spaces (Oxford UP, 2013) and co-editor, with Kenneth Speirs, of Mixing It Up: Multiracial Subjects (University of Texas Press, 2004). Her article on cartographies of race and the Chop Suey circuit, a group of Asian American cabaret entertainers who toured the nation during the World War II era, is published in TDR. Her article, “When is Contemporary Dance,” on contended understandings of the term “contemporary” across dance genres and communities, is in the December 2017 issue of Dance Research Journal. She recently published an article reflecting on her experiences creating an immersive dance work during the COVID-19 pandemic, and a piece on the aesthetics and politics of Asian American passivity is forthcoming. Additional articles can be found in Theatre Survey, Performance Research, Representations, and other journals and anthologies. 

SanSan remains active as a professional dancer and has performed with numerous choreographers in New York City and San Francisco, including Chen and Dancers and Maura Nguyen Donohue/In Mixed Company. She is currently performing with Lenora Lee Dance. SanSan premiered her own choreography on the aftermaths of anti-Asian violence in October 2024 at the Mondavi Center for the Performing Arts at UC Davis. She will be showing her work again in spring 2025 at Dance Mission Theater.  

She is currently serving as the chair of the Department of Theater, Dance, and Performance Studies. 

Research Expertise and Interest

dance studies, performance studies, Asian American studies