ronald rael headshot
Faculty FellowUC Berkeley

Ronald Rael

Architecture

Ronald Rael is an Associate Professor in the Departments of Architecture and Art Practice. His research and creative work relies upon a deep understanding of place, and its inherent resources, and makes careful links between a broad spectrum of tools that come from manual, industrial and digital approaches to making architecture. Rael received a BED from the University of Colorado and an MA at Columbia University. Based in San Francisco, his creative practice, Rael San Fratello, established in 2002 with Virginia San Fratello, is an internationally recognized award-winning studio whose work lies at the intersection of architecture, art, culture, and the environment.

Spark Award Project

Developing Advanced Building Material Applications Using Additive Manufacturing: Transforming the Built Environment

In the US alone, the construction industry produced 143.5 million tons of building-related construction and demolition debris in 2008 and buildings, in their consumption of energy, produce more greenhouse gases than automobiles or industry. Our research combines exploration of waste materials in additive manufacturing (commonly known as 3D printing) – a viable and transformative tool to create sustainable, intelligent building materials that are responsive and reparable to the environment – and novel assemblies to create efficient architectural systems for building construction. Our technology could transform current building manufacturing and delivery systems. Warehousing material would no longer be necessary because material manufacturing could be on-site and on-demand, using locally derived and recycled materials. We can also add new design features such as recycled ceramic bricks that can act as passive air-conditioning and seismically stable structures. See some of the possibilities at http://www.emergingobjects.com/

Ronald Rael’s Story

A New Recipe for Construction

February 16, 2016

By: Wallace Ravven

A house built on salt would attract few buyers in earthquake-prone California — or anywhere for that matter. But a house built of salt may be another story. If architect Ronald Rael’s research stays on track, salt, sawdust — even pulverized tires — may some day provide the raw material for full-blown construction.

Ronald Rael
Ronald Rael is advancing a type of 3-D printing that could add more beauty, variety and sustainability to building designs. Photo: Peg Skorpinski

Rael, associate professor of architecture, is one of a small group of researchers advancing a novel type of 3-D printing capable of processing recycled as well as under-utilized materials into a range of sturdy products, from water-cooled walls to full-scale buildings.

In conventional 3-D printing, also known as additive manufacturing, a computer-generated model guides an industrial robot to deposit layer upon layer of extruded material, producing an object of the desired shape. The technology has progressed rapidly, and already is used to create sculptures, jet aircraft parts, and very recently, an apartment building in China.

The process is versatile and precise but usually limited to materials that can be extruded, or pushed through a mold. Typical materials are metals, plastics and cement.

In the 3-D printing process that Rael has been developing, raw materials aren’t extruded. Instead they are in powder form, and sprayed with water layer by layer to help bind the material together. Once the parts are cured, the three dimensional building component can be removed.

3-D printing with powder is actually one of the oldest 3-D printing processes, Rael says. “But we are experimenting with powders made from materials that have never been used before. We are probably the only group looking at powders made from recycled material.”

In the U.S., more than 70 million tons of sawdust fall to the floor each year as lumber is cut to size. Rael has shown that his 3-D printing technology can use sawdust as a starting material. If developed to commercial scale, the process could fabricate building blocks while saving natural resources.

“Construction in the U.S. alone generates almost 15 million tons of debris,” Rael says. “We think we can recycle quite a lot of the debris for use in construction.”

3-D Printed House 1.0
“3-D Printed House 1.0” is a case study in the use of new 3-D printing technology to produce major components of a building. Image: Rael San Fratello

With funding from the Bakar Fellows Program, he plans to advance the technology and show its commercial potential.

“I hope to refine some of the material we have been working on. I’d like to test the materials and push toward making them compliant with building standards.  We’d like to demonstrate the construction of a full-scale prototype house using salt and sawdust.”

In his Wurster Hall printFARM (print Facility for Architecture, Research, and Materials) Rael has shown that the powder-water preparation can work with a surprising range of materials.

“It is very robust. We are having success producing novel structures with novel materials — not only sawdust, but pulverized tires, ceramic, sand, and flyash. Some of these would be very difficult to fabricate otherwise.”

Novel materials are only part of his mission. He wants the new technology to add  beauty and greater variety to building designs.

“We’re looking for a new construction process perfectly consistent with building codes, but also one that can make the building environment more beautiful. Often, beauty and design and building aren’t considered together.”

self-supported pavilion, Bloom
The novel materials and customized 3-D printed blocks conceived for the free-standing pavilion, “Bloom,” represent a new paradigm in building construction methods, Rael says. Photo: Matthew Millman Photography

His group has built a self-supporting pavilion, which they named Bloom (right).  Its 840 customized 3-D-printed blocks are composed of a polymer made from recycled vegetable oil and a cement that uses very little water. The porous structure’s flowing, curtain-like walls show the aesthetic possibilities.

In the printing process, each printed block included a different part of an overall floral design. When assembled, the structure displayed the full floral pattern on both sides of the sinuous wall.

Rael says he hopes this type of 3-D printing can become widely adopted in “sustainable, beautiful and meaningful architecture and construction.”

“I would like to think we are laying the ground work for creating historic structures of the future.”